第二张：
I'm fascinated by the way you're translating space into this photograph. An empty bench on the left, a full one on the right, with on the latter one lady looking at us to keeps us engaged and another looking to something outside the photograph.
Somehow I'm remembered of an engraving by Dürer called "Melencolia I." The box near the old lady could be understood to symbolise reason and maturity. The girl takes a curious glance at her future, but she's still pure and playful, as suggested by the inline skates. :)
第六张：
Your pictures really make me kind of sad, man. They're poetical, though. Much rather than making a statement, you're leaving space for the viewer to interpret the world as it is. The way I see it, this is a metaphor either for all men being dogs or for man's domestication of the world, of dogs and women alike. Nice.
第九张：
I love the fact that the Volvo isn't in its entirety on the photo. It could've been taken in the sixties, had it not been for the modern cars. I guess some things are meant to last, while others are just blurring past.
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